At Hotel La Casa de Marita, shadows stretch unnaturally in the dying light, and the whisper of long-dead voices clings to the air like the salt of the nearby sea. Guests have reported glimpses of spectral figures drifting through the garden, their forms dissolving into the encroaching dusk, while the underbrush rustles with the unexplainable stirrings of unseen watchers. Laughter echoes where no one stands, and as night claws at the edges of day, a creeping dread settles, each guest left wondering if they might be the next to disturb the secrets woven into the very fabric of this haunted haven.

Hotel San Vicente loomed over the shores of Isabela Island like a forgotten relic, its peeling paint and sagging balconies whispering the lost tales of early settlers who sought fortune but found only despair. At night, the air thickened with an unnatural chill, and disembodied voices danced through the corridors, the hushed tones of long-dead inhabitants lingering like a shroud-an unsettling reminder that some guests never truly checked out. As the temperature plummeted in their rooms, an oppressive sense of being watched crept into their bones, leaving them to wonder: who, or what, was waiting for them in the dark?

In the dim light of the Hotel Otavalo, where centuries of whispered secrets cling to the walls like cobwebs, the air thrummed with an unsettling silence, punctuated only by the soft shuffle of unseen feet echoing in the empty hallways. Shadows flickered at the periphery of vision, coalescing into indistinct forms that seemed to watch, to linger just beyond the threshold of the rooms, as if waiting for the unwitting guests to invite them back into the world of the living. Those who dared to stay the night spoke of restless whispers curling around their ears, an eerie chorus of voices that beckoned them closer to a truth better left untouched, turning the sanctuary of slumber into a malevolent playground of the forgotten

Hotel El Salado looms at the edge of Banos, its cracked facade whispering secrets of a turbulent past, where the echoes of long-gone patrons intertwine with the murmur of restless spirits. Within its dimly lit corridors, guests report hearing disembodied laughter that flits like a moth in the dark, while in the shadows, objects dare to dance-unbidden, inexplicable, unsettling. Those who dare to stay are warned: the walls remember, and the voices of the forgotten may beckon you into their embrace, whether you wish to join them or not.

In the heart of Quito, Hotel Plaza Grande looms like a specter from the 16th century, its walls whispering the secrets of long-dead souls who still wander its shadowed halls. Guests have felt a shiver creep up their spines as they huddle beneath fraying blankets, only to hear the echo of phantom footsteps reverberating through the cold, still air, accompanied by fleeting glimpses of mournful apparitions drifting silently past their doorways. To stay within those timeworn walls is to invite the chilling embrace of the past, where every creaking floorboard and sudden chill speaks of a restless presence that may never truly depart.

Beneath the sterile veneer of Hotel Oro Verdes polished facade lurked an unsettling pulse-a rhythm of whispers and footsteps that echoed through the hollow hallways long after the last of the hotel staff had departed. Guests, wrapped in the comforting cocoon of their beds, often awoke to the oppressive weight of unexplained cold spots, the silent specters of a forgotten past lurking just out of view, their fleeting apparitions fading like shadows at dusk. Each night, as the lights flickered in sync with unseen breaths, an unshakeable sense of dread reminded them that in a place where history mingled with the living, some doors ought never to be opened.

The air in Hotel Quito thickened with an oppressive stillness that seemed to swallow sound, broken only by the unsettling echoes of whispers curling through the ancient hallways, like secrets trying to claw their way out. Dimly lit by the flickering glow of haunted sconces, shadowy figures glided past doorways, their movements as silent as the grave yet palpable enough to set the hairs on the back of ones neck on edge. Guests, lulled into a false sense of safety beneath the crumbling plaster and velvet drapes, often awoke to the soft, rhythmic knocking of unseen hands against their walls, a reminder that some rooms in this haunting edifice were never meant to be occupied.

La Casa Verde loomed in the heavy mist of Banos, its peeling green paint whispering secrets to the wind, where shadows danced in every flickering light and cold spots gnawed at the skin like icy fingers tracing the walls. Guests spoke in hushed tones of spectral figures drifting through the narrow halls, their sorrowful eyes glinting with stories of the past, while unseen presences wrapped around them like a shroud, leaving only the echo of a breath behind. It wasn't just the legends that lingered, but an insidious awareness that something watched, waiting for the right moment to slip into the waking world once more.

Beneath the opulent facade of Hotel Casa Gangotena, shadows writhe like smoke, coiling around the ornate laden corridors of this early 20th-century gem, where the chill of uninvited whispers dances through the air. Guests have reported glimpses of a woman in white, her sorrowful figure gliding silently past, while cold spots emerge like icy fingers reaching for warmth in the oppressive stillness, leaving behind an unsettling sensation-an echo of being watched by unseen eyes. Here, in the dim light of gas lamps, the weight of countless mournful memories hangs heavy, as if the very walls harbor secrets that hunger for the living.

In the shadowy recesses of Hotel Boutique Vista del Angel, where the whispers of Quitos past intertwine with the spectral remnants of sorrow, mirrors glint like darkened portals, occasionally reflecting not the living but the long-forgotten souls who linger still. Guests have reported a peculiar heaviness in the air, as if unseen eyes are watching, their breath chilled by the intangible energy that hums through the historic walls, drawing them into a dance with phantoms who smile just behind their reflections. Those who dare to gaze too long might find that the figures lurking in the glass are all too eager to step out of the past-into their present.