The White Horse Inn stood defiantly against the chill of York's fading light, its crumbling facade whispering secrets of an 18th-century past steeped in sorrow. Shadows danced in the corners of its dimly lit hallways, where the flickering of gas lamps cast ephemeral shapes that twisted and writhed like lost souls, and the mournful sigh of a woman in white echoed through the air, as if seeking solace in her eternal wanderings. Guests often fled the inn in the dead of night, unnerved by the cacophony of unseen footsteps and the feeling of being watched, as if the very walls held their breath, waiting for the next unsuspecting visitor to unravel the dark mystery lurking within.

The Malmaison Oxford looms like a brooding specter, its brick facade shadowed by the weight of a thousand whispered regrets; each creak of the floorboards seems to echo the chains of long-departed inmates, a ghostly reminder of their futile resistance. In the dim light of the corridors, sudden chills creep like icy fingers along the spine, the lingering weight of unseen eyes watching from the corners, waiting for the unwary to lose themselves in the hotel's sinister embrace. Guests often find themselves awakening to the sound of rattling chains in the dead of night, a chilling serenade that promises the restless past is never far from the present.