At The Bristol Hotel in Thessaloniki, shadows flicker in the corners of the 19th-century hallways, whispering the secrets of a past steeped in loss, where a ghostly woman in white drifts like a shroud of sorrow, her presence felt in the stir of a breath against the back of the neck. Guests, drawn by the allure of faded elegance, find themselves gripped by an unseen weight in their rooms, the oppressive air thickening with the resonance of desperate sighs, as though the walls themselves mourn the memories they cannot forget. In the still of the night, when the creak of the old floorboards becomes a symphony of dread, they discover that some spirits never leave, and for some,

The White Tower Hotel loomed over Thessaloniki like a watchful specter of the past, its ancient stones steeped in the whispers of forgotten lives. Guests felt the chill of unseen eyes tracing their every move, and late at night, the air thickened with the ghostly echoes of laughter and mourning, flickering just beyond the reach of sanity. Those who dared to linger too long by the tower's shadow spoke of pale figures gliding through the corridors, their soft, sorrowful whispers hinting at stories best left untold, as though the hotel itself conspired to ensnare them in its enduring, malevolent embrace.

Makedonia Palace looms on the edge of the Thermaic Gulf like a predator cloaked in luxury, its opulent facade a mere veneer shrouding centuries of whispered secrets. Amid the echoing marbled halls, the faint tap of unseen footsteps slithers through the air, brushing against the nape of ones neck with a chill that feels far too deliberate, while shadowy figures dart just beyond the corner of your vision, leaving an unsettling sense of being stalked by the ghosts of those long gone. Even the bravest guests find themselves ensnared in a web of dread, their sleep marred by the feeling of a thousand eyes glaring from the dark corners of a room they thought was their refuge.

In the heart of Thessaloniki, Hotel Anatolia stands like a weary sentinel from the 1970s, its once-grand facade now draped in shadows and whispered secrets. Guests speak of flickering lights that dance as if mocking the living, doors creaking open and shut on their own, as if welcoming unseen visitors from the past, their chilly breath lingering long after the sound has faded. Yet, those who linger too long in the hotel's oppressive embrace often leave haunted by a presence that watches from the corners, unseen but unsettling, as if the very walls themselves bear witness to the horrors that time cannot erase.